The story of how, in 1970, the social activism of young UCLA philosophy professor Angela Davis led her to become involved in a failed kidnapping attempt that ended in a shootout, four deaths, and her name on the FBI's Ten Most Wanted list.

A black comedy political sitcom about an Olympic gold medalist who was appointed as minister of Ministry of Culture, Sports and Tourism and is facing a kidnapping incident of her husband who is a political critic.

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This is James Miki's first directorial work, and he is also the original writer and scriptwriter. Noritaka Sakamoto was in charge of photography, and Kentaro Haneda was in charge of music direction. It depicts how an honest candidate aiming for a clean election campaign gradually collapses in the face of various realities. Kiyokawa, the mayor of Higurashi City, died at his lover's house. Yoshihiko announces that he will conduct a clean election campaign, but his sponsors and backers are reluctant.

当他的阴茎被鳄鱼咬掉时，塔兹求助于旺戈部落的魔法力量。

Vanya and his stepsister Sonia have lived their entire lives in their family's farmhouse. While they stayed home to take care of their ailing parents, their sister Masha has been gallivanting around the world as a successful actress and movie star, leaving Vanya and Sonia to feel trapped and regretful. Their soothsayer/cleaning woman Cassandra keeps warning them about terrible things in the future, which include a sudden visit from Masha and her twenty-something boy toy Spike.

当他的阴茎被鳄鱼咬掉时，塔兹求助于旺戈部落的魔法力量。

Vanya and his stepsister Sonia have lived their entire lives in their family's farmhouse. While they stayed home to take care of their ailing parents, their sister Masha has been gallivanting around the world as a successful actress and movie star, leaving Vanya and Sonia to feel trapped and regretful. Their soothsayer/cleaning woman Cassandra keeps warning them about terrible things in the future, which include a sudden visit from Masha and her twenty-something boy toy Spike.

The agony and beauty of the creative process are explored in this reflective work, first inspired by a piano solo by Yo La Tengo’s Ira Kaplan, which reminds us that the act of creation can feel like “cracking the code in another dimension.”

Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.